Agitation Free’s music is psychedelic, experimental krautrock with elements of spaced-out ambient, experimental electronic and drone. The music for the most part consists of driving organ-patterned drone-like rock; seamless psychedelic cosmic musical textures with intricate musicianship and musical variety; hard, driving rock similar to Amon Düül II; and jamming that occasionally invokes the interplay and styles of Garcia, Weir and Lesh of The Grateful Dead and hints at a blues rock base not unlike The Allman Brothers Band. Many of their songs have a trance-inducing, psychedelic feel with sections of driving rock fueled by fiery and melodic moving guitar lines and solid, propelling and intricate drumming and a prominent bass line. All of Agitation Free’s songs are instrumental apart from some recitation on “Haunted Island”. Their first album Malesch is cosmic, aggressive, psychedelic, creative, ethnically flavored (mainly by short interludes of recordings from Egypt), mysterious and densely packed with ideas whereas their second, titled 2nd is more laid-back and upbeat, with longer structure, much more of an emphasis on traditional styled jamming à la The Grateful Dead and a warmer and more straightforward sound. On Malesch the songs blend together to make a seamlessly flowing, tangential and uninterrupted musical journey, whereas on 2nd songs are more predictably structured, more varied in their sound and stand more as independent works.
They were initially called Agitation, a name they chose at random from a dictionary. The band had to change the name because another band with the same name already existed. Agitation Free was chosen as the result of a panel before a free show played in the early 1970s saying “Agitation Free” (meaning “free concert”).